So, the case I made last week was the wrong size. The spine was about 5mm too wide as can be seen in the picture below.
Let's skip over me making a second case and get to the point where I could finally glue the lid and tray to the case. First the lid:
Sunday, 30 March 2014
Friday, 21 March 2014
Bookbinding, week 10
Below is a photograph of the tray and the lid of the box, now covered and lined. When the lining is glued in it needs to be weighted or pressed to ensure it ends up completely flat. What I forgot to photograph was the other side, which is currently uncovered. A case will cover the other side and connect both pieces.
Sunday, 16 March 2014
Stack: March
It looks stunning too; most articles are accompanied by gorgeous illustrations in a huge range of styles. It's even heftier than and it breaks up its uncoated pages with some glossy photographic sections such as the Belgian race photographs. It's beautiful and interesting and I'm really pleased to have received a copy.
Would I buy it again? Not for myself, but I would definitely get this as a gift for a keen cyclist.
Thursday, 13 March 2014
Bookbinding, week 9
The lid of the box is basically made the same way as the tray, only it's slightly bigger so it fits over the tray. Let's skip that and move on to something new: lining the tray and the lid. Measure the width and height of the inside of the tray, (if one side is shorter than the other use the smaller measurement), then deduct 1mm from each measurement. Cut two pieces of board to this size.
Thursday, 6 March 2014
Bookbinding, week 8
After getting off to a bad start with the box, (measure twice, cut once!), I'm back on track. The first step was cutting the pieces for the tray.
Sunday, 2 March 2014
Artist Textiles at the Fashion and Textile Museum
Entry: £8.80 adults / £6.50 concessions / £5.50 students
The
Fashion and Textile Museum in Bermondsey currently has a great
exhibition of textiles designed by fine artists of the 20th
century. Ranging from the 1910s to the 1960s, it shows how loose the
boundaries between art and commercial design really are, showcasing
mass-produced printed textiles by artists including Salvador Dalí,
Pablo Picasso, Andy Warhol and Joan Miró.
The material on show is primarily textile samples. There are also plenty of items of clothing, some advertising material, and some surrealist film footage. Overall it's a fun, light-hearted exhibition – you get the sense that the artists got a chance to kick back and play around with themes and motifs they were best-known for when doing this kind of commercial design work. It's also fascinating to see how these artists embraced the opportunity to make their work more widely available to the public; Picasso was even involved in designing prints for a range of skiwear! I was surprised by how much I liked Andy Warhol's simple, playful designs, and I loved Dalí's “Desert Rocks” fabric.
The material on show is primarily textile samples. There are also plenty of items of clothing, some advertising material, and some surrealist film footage. Overall it's a fun, light-hearted exhibition – you get the sense that the artists got a chance to kick back and play around with themes and motifs they were best-known for when doing this kind of commercial design work. It's also fascinating to see how these artists embraced the opportunity to make their work more widely available to the public; Picasso was even involved in designing prints for a range of skiwear! I was surprised by how much I liked Andy Warhol's simple, playful designs, and I loved Dalí's “Desert Rocks” fabric.
Overall, I spent an enjoyable hour looking around,
although I suspect that the price is off-putting unless you're
particularly into textile design.
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